Stepan Simonian, Haigaz Simonian — Hoppala

Hoppala

Zaza Makame

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 1 in C Major

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 2 in D Major

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 3 in G Major

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 4 in E-Flat Major

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 5 in D Minor

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 6 in B Minor

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 6 in B Minor

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 7 in B-Flat Major

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 8 in D Minor

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 9 in C-Sharp Minor

Melodic-Contrapuntal Studies, Op. 137 (After Bach's The Well Tempered Clavier): No. 10 in C Minor