Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly, Иоганн Себастьян Бах — St. Matthew Passion, BWV 244 / Part Two

St. Matthew Passion, BWV 244 / Part Two

Miriways, TWV 21:24, Act I Scene 1

Miriways, TWV 21:24, Act I Scene 1

Miriways, TWV 21:24, Act I Scene 1: Wo aber ist jetztund das erste Pfand

Miriways, TWV 21:24, Act I Scene 2

J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"

J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"

J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"

J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"

J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"

Rappresentatione di anima et di corpo, Act I, Scena Quarta: Anima mia che pensi ( Il Corpo)

Rappresentatione di anima et di corpo, Act II, Scena Quarta: Chi gioia vuol, chi brama (Il Piacere)

J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"

Pygmalion, acte de ballet, RCT 52, Scène 2: Récit «Pygmalion, est-il possible» (Pygmalion, Céphis)

Armide, LWV 71, Prologue: Tout doit céder dans l'univers (La Gloire, la Sagesse et sa suite)

Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, la Sagesse et leurs suite)