Josh Workman, Omar Clay, Noel Jewkes, Buca Necak — Sippin'at Bell's (Miles Davis' bebop-blues first recorded by Charlie Parker)

Jumpin' At The Border

Sippin'at Bell's (Miles Davis' bebop-blues first recorded by Charlie Parker)

Andre De Sapato Novo (example of choro writing of Brazilian mandolin master Jacob do Bandolim)

Monkish

Autumn Nocturne (popularized by Claude Thornhhill's Orchestra during the swing era, also heard on guitarist Billy Butler's 1970 album "Nightlife")

The Sweetest Sounds (feeling reminiscent of classic Blue Note era and John Coltrane's Atlantic and Impulse years)

No Me Platiques Mas (reminiscent of the 1960s bolero style of Chilean-born tenor Lucho Gattica)

Ow! (Dizzy wrote this tune over "I've Got Rhythm" chord changes)

I Can't Face The Music/I Want A Little Boy (the first song was recorded by Mildred Bailey, Billie Holiday and Ella Fitzgerald, who also recorded the second one)

Nono (U.S. Debut on the 1953 "Braziliance" album by Brazilian guitarist Laurindo Almeida and American saxophonist Bud Shank)

Take Me In Your Arms (inspired by classic recording of Red Garland's 1962 album "Red's Good Groove")

Kali Sara (written by French Roma violinist, guitarist and performed here by the Hot Club of San Francisco)

You're Drivin' Me Crazy (reminiscent of Count Basie sound and vocal stylings of Ella Fitzgerald and Sarah Vaughan)

My Pearl

Carinhoso (U.S. Debut on the 1953 "Braziliance" album by Brazilian guitarist Laurindo Almeida and American saxophonist Bud Shank)

You're Blase (solo performance based on the Ella Fitzgerald, Joe Pass 1973 album "Take Love Easy")