Loránt Szűcs, Бела Барток — Mikrokosmos, Sz. 107, Vol. 3: Nos. 74-78. Hungarian Matchmaking Son. Triplets. In Three Parts. Little Study. Five-tone Scale

Cello Sonata in G Minor, Op. 65: I. Allegro moderato

Cello Sonata in G Minor, Op. 65: II. Scherzo: Allegro con brio

Cello Sonata in G Minor, Op. 65: III. Largo

Cello Sonata in G Minor, Op. 65: IV. Finale: Allegro

La farfalletta

Mikrokosmos, BB 105, Vol. 1: Nos. 1-6. 6 Unison Melodies

Mikrokosmos, BB 105, Vol. 1: Nos. 7-10. Dotted notes. Repetition. Syncopation. With Alternate Hands

Mikrokosmos, BB 105, Vol. 1: Nos. 11-17. Parallel Motion. Reflection. Change of Position. Question and Answer. Village Song. Parallel Motion and Change of Position. …

Mikrokosmos, BB 105, Vol. 1: Nos. 18-21. 4 Unison Melodies

Mikrokosmos, BB 105, Vol. 1: Nos. 22-25. Imitation and Counterpoint. Imitation and Inversion. Pastorale. Imitation and Inversion

Mikrokosmos, BB 105, Vol. 1: Nos. 26-31. Repetition. Syncopation. Canon at the Octave. Imitation Reflected. Canon at the Lower 5th. Little Dance in Canon Form

Mikrokosmos, BB 105, Vol. 1: Nos. 32-36. In Dorian Mode. Slow Dance. In Phrygian Mode. Chorale. Free Canon

Mikrokosmos, BB 105, Vol. 2: Nos. 37-41. In Lydian Mode. Staccato and Legato [1]. Staccato and Legato [2]. In Yugoslav Mode. Melody with Accompaniment

Mikrokosmos, BB 105, Vol. 2: Nos. 43-46. In Hungarian Style. Contrary Motion. Meditation. Increasing-Diminishing

Mikrokosmos, BB 105, Vol. 2: Nos. 47-50. Country Fair. In Mixolydian Mode. Crescendo-Diminuendo. Minuetto

Mikrokosmos, BB 105, Vol. 2: Nos. 51-57. Waves. Unison Divided. In Transylvanian Style. Chromatics. Triplets in Lydian Mode. Melody in Tenths. Accents